Please use this identifier to cite or link to this item: http://ithesis-ir.su.ac.th/dspace/handle/123456789/1613
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dc.contributorZon Phyo Pyae Swe OOen
dc.contributorZON PHYO PYAE SWE OOth
dc.contributor.advisorSaksri Vongtaradonen
dc.contributor.advisorศักดิ์ศรี วงศ์ธราดลth
dc.contributor.otherSilpakorn University. Musicen
dc.date.accessioned2018-12-14T02:45:57Z-
dc.date.available2018-12-14T02:45:57Z-
dc.date.issued17/8/2018
dc.identifier.urihttp://ithesis-ir.su.ac.th/dspace/handle/123456789/1613-
dc.descriptionMaster of Music (M.Mus)en
dc.descriptionดุริยางคศาสตรมหาบัณฑิต (ดศ.ม.)th
dc.description.abstractThe purpose of this paper is to analyze Gregory Porter’s approach in the “ Liquid Album” which was released in 2013 and awarded as the best male vocal Grammy. Porter’s melodic phrases are smooth and tension tones can increase the engagment of the listeners and construct the movement of the song. Furthermore, the repeating phrases can create space and cause delaying the starting point on different beats. Most of the phrases are built with neighboring tones and he used such kind of tones to delay either at the beginning of the phrase or end of the phrase and created emotional feeling for the listeners. In creating variation phrases , using non-harmonic tones can produce smooth phrase and more engaging in jazz .en
dc.description.abstract-th
dc.language.isoen
dc.publisherSilpakorn University
dc.rightsSilpakorn University
dc.subjectmelodic phrasesen
dc.subjecttension tonesen
dc.subjectneighboring tonesen
dc.subjectvariation phrasesen
dc.subjectnon-harmonic tonesen
dc.subject.classificationArts and Humanitiesen
dc.titleA Study Of Gregory Porter's Approaches To Phrasing In "Liquid Siprit"en
dc.title-th
dc.typeThesisen
dc.typeวิทยานิพนธ์th
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